Review: The Host by Stephenie Meyer



Let me set the scene. Earth has been slowly and insidiously invaded by an alien species, the Parasites, that have been secretly inserting themselves into the bodies of human hosts so successfully that the invasion of Earth is almost over by the time it's discovered. Pockets of human resistence exist, but are ineffective against the scale of the parasitic invasion. Once a Parasite is inserted into its host, the host's human essense is irredeemably destroyed, allowing the Parasite to live independently in the human body, accessing the body's processes and in some ways it memories - its likes and dislikes and feelings. The Parasites have been travelling the Universe, moving from host species to host species. Despite their way of living and methods of colonisation, they claim to be a non-violent non-confrontational species, that looks down on humans for their savage way of existence. 


The Host is the story of Wanderer, a centuries old Parasite that has been inserted into the host body of Melanie Stryder, a recently caught member of the human resistence. The only issue is, Melanie's consciousness still remains inside her body, co-existing and in some ways resisting Wanderer's possession of her body. Wanderer and Melanie must live together to achieve their common goal - to find Melanie's younger brother Jamie and partner Jared, who she left behind when caught by the Parasites. 


The novel is science fiction, but would easily work for people who have little interest in science fiction. The focus is far more on the human elements of the story. Melanie seeks to control her own body, while Wanderer forms relationships on her own terms with the humans that she meets. She wants to support the humans she comes to love but is horrified and repelled by their capacity for violence and their desire to destroy her own kind. Wanderer is incapable of viewing her own species invasion of Earth and destruction of human in the same terms as she sees the human resistenace to this invasion. On an even more personal level, Melanie desires nothing more than than to love Jared again, while Wanderer experiences the strength of those feelings while forming her own romantic connection. 


This was a re-read for me and I still enjoyed it. It isn't high literary fiction, or even particularly well written. But it is an easily accesible and interesting gateway into the world of science fiction that will work well for many people. I enjoy this book, and it will always be something for me to return to when I need something readable and enjoyable to keep me entertained.



3/5: It was an enjoyable read.




 

Review: The Community by Christine Gregory


This book was a birthday present from my ten-year-old daughter. She told me she saw it in the shop and thought of me.Which, honestly, might be my new favourite kind of book recommendation.


The Community, by Christine Gregory, is a murder mystery set in a small, environmentally-minded co-operative town in regional Queensland – a place called Steels Creek, tucked in among bushland and built around the idea of doing things differently.


Our main character, Nils Larsen, is a disgraced journalist who has come to Steels Creek to disappear. Or at least to recover. He carries around what he thinks of as a murky past, though it slowly becomes clear that what actually haunts him is his role in exposing police corruption and everything that followed from that. He’s divorced, slightly adrift, and sees his daughter only occasionally. When she does visit, there is a quiet but heavy tension between them. She is still angry at him for what his choices cost their family.


When a body is found in a local waterhole, Nils is pulled back into investigation. The murder ends up touching not just him, but his daughter and her friends as well, adding a personal closeness to the case.


This is very much a slow-burn crime novel. The story takes its time and lets you get to know the town and the people in it including the long-timers, the love interest and of course the inevitable red herrings. 


In many ways, it’s fairly standard crime fiction. There’s nothing wildly new or exciting. But I don’t really mean that as a criticism. It’s a well-built, familiar kind of story and that's often what I’m in the mood for.


What really stayed with me, though, were the descriptions of the bush. I grew up near bushland and spent a lot of time bushwalking, and the way the landscape is written here felt true. The heat and the stillness of the air were all so vividly done that I could almost feel it while I was reading.


I’ve already forgotten most of the fine details of the plot (which probably tells you something about how much space this book is taking up in my brain now) but I do remember how compulsive it was while I was in it. It’s the kind of novel you keep picking up for “just one more chapter”, and then suddenly realise you’ve read far more than you planned to.


And, of course, I will always have a soft spot for a book that my daughter looked at and thought, Mum would like this.

The Classics Club


I've decided to join the Classics Club, the idea of which is to set a goal of reading 50 classics within 5 years from the date that you start the challenge. On a higher level, "the point isn’t to challenge people to read by a strict list — but to create for ourselves a habit and a curiosity about literature". 


So what's a classic: "for the purposes of your project list, it’s your choice, really. Modern classics, ancient classics, Eastern canon, Western canon, Persophone, Virago, African literature, children’s classics… You make your own goal, and you decide what is a classic".


My challenge commences: March 2026


The Classics Club Book List 

(1831) Frankenstein by Mary Shelley
(1838) Oliver Twist by Charles Dickens
(1847) Wuthering Heights by Emily Bronte 
(1847) Jane Eyre by Charlotte Bronte
(1847) Agnes Gray by Anne Bronte
(1848) Vanity Fair by William Makepeace Thackeray
(1855) North and South by Elizabeth Gaskell
(1865) Force and Fraud by Ellen Davitt
(1898) The Turn of the Screw by Henry James
(1899) The Awakening by Kate Chopin
(1899) Heart of Darkness by Joseph Conrad
(1929) Passing by Nella Larsen
(1937) Out of Africa by Isak Dinesen
(1939) The Grapes of Wrath by John Steinbeck
(1940) The Man Who Loved Children by Christina Stead
(1945) The Pursuit of Love by Nancy Mitford
(1948) The Snow Country by Yasunari Kawabata
(1949) Nineteen Eighty Four by George Orwell
(1951) My Cousin Rachel by Daphne du Maurier
(1954) Lord of the Flies by William Golding
(1958) Things Fall Apart by Chinua Achebe
(1958) Breakfast at Tiffany's by Truman Capote
(1959) The Haunting of Hill House by Shirley Jackson
(1961) Catch-22 by Joseph Heller
(1961) Inspector Imanishi Investigates by Seicho Matsumoto
(1961) The Bell Jar by Sylvia Plath
(1962) A Wrinkle in Time by Madeleine l'Engle
(1964) My Brother Jack by George Johnston
(1967) Picnic at Hanging Rock by Joan Lindsay
(1967) One Hundred Years of Solitude by Gabriel Garcia Marquez
(1969) The Left Hand of Darkness by Ursula le Guin
(1977) The Shining by Stephen King
(1977) The Silmariliion by JRR Tolkien 
(1977) Tirra Lirra by the River by Jessica Andersen
(1978) The Sea, The Sea by Iris Murdoch
(1981) Midnight's Children by Salman Rushdie
(1982) Schindler's List by Thomas Keneally
(1985) Love in a Time of Cholera by Gabriel Garcia Marquez
(1987) It's Raining in Mango by Thea Astley
(1989) The Remains of the Day by Kazuo Ishiguro
(1991) Cloudstreet by Tim Winton
(1992) The English Patient by Michael Ondaatje
(1994) Death of River Guide by Richard Flannagan
(1997) The God of Small Things by Arundhati Roy
(2004) Gilead by Marilynne Robinson
(2005) Never Let Me Go by Kazuo Ishiguro 
(2006) Carpentaria by Alexis Wright
(2009) Wolf Hall by Hilary Mantel
(2011) All That I Am by Anna Funder
(2013) The Narrow Road to the Deep North by Richard Flannagan