WWW Wednesday: 18 June 2025

  WWW Wednesday is a meme that is hosted by Taking on a World of Words. It's a very simple premise of sharing with others The Three Ws:


What are you currently reading? 
What did you recently finish reading? 
What do you think you’ll read next?


Just finished




I just finished The Mystery Writer Sulari Gentill. I love Gentill's Rowland Sinclair series, and this was the first of her novels that I have read since completing the Sinclair series. What did I think? I read it compulsively much longer into the night than I should have, and then those final few chapters..... anyone else who has read this will know what I mean. It did not have a satisfying ending. More thoughts incoming in a future review. 


Currently reading




When I saw that The Safe Keep by Yael Van Der Wouden (shortlisted for the Booker Prize 2024) won the Women's Prize for Fiction 2025 I decided it was time to pick it up. I started it on Monday and, so far, I love it. 


What will I read next?

Honestly, every time I try to answer this, I read something else, so take this with a grain of salt. I have borrowed on my eReader The Women by Kristin Hannah and I had better read that before they take it off me. Other candidates are Bel Canto and The Blue Sisters. 


Open to suggestions!
 

Recent reviews:

Review: The Nowhere Child by Christian White


I had read quite a few positive reviews of The Nowhere Child by Christian White and so it seemed serendipitous when I came across it for $3 at a local book fair. 


'Her name is Sammy Went. This photo was taken on her second birthday. Three days later she was gone.' On a break between teaching photography classes in Melbourne, Kim Leamy is approached by a stranger investigating the disappearance of a little girl from her Kentucky home twenty-eight years earlier. He believes Kim is that girl. At first she brushes it off, but when Kim scratches the surface of her family history in Australia, questions arise that aren't easily answered. To find the truth, she must travel to Sammy's home of Manson, Kentucky, and into a dark past. As the mystery of Sammy's disappearance unravels and the town's secrets are revealed, this superb novel builds towards an electrifying climax. Inspired by Gillian Flynn's frenetic suspense and Stephen King's masterful world-building, The Nowhere Child is a combustible tale of trauma, cult, conspiracy and memory. It is the remarkable debut of Christian White, an exhilarating new Australian talent.


The Nowhere Child, is Australian author Christian White’s debut novel, had a tantalising premise - at least for me - and it definitely hooked me within the first few pages. It begins with a woman in Hobart, Tasmania, Kim, being approached at work by a man who says that he believes she is not who she thinks she is. Within days, Kim realises that she may not be who she thinks she is, and she is drawn into the disappearance of a two-year-old Sammy Went many years ago in the USA.  The story began very strong. I was hooked, the writing was direct, and the story felt cinematic.


But somewhere along the road, probably at about the halfway mark, the book lost its way. 


The story goes back and forth between past and present and as the mystery deepens, so does the cast of characters. We explore a small-town American community full of secrets, fundamentalist religion (cult) and its followers and troubled family members. And while I appreciate the way in which the narrative unfolded, I increasingly found myself unconvinced by the direction the story and I increasingly started to wonder why so many of the characters would behave the way that they did. 


That's where The Nowhere Child lost me - the balance between drama, mystery and believability wasn't quite right. The eventual solution to the mystery felt too far-fetched and arrived far too suddenly. It then ended with a speed that left me oddly unsatisfied. I wanted more from the characters emotionally, more time to process what the story meant beyond its twists.


It wasn't all bad. I enjoyed it and there were moments of tension and emotion. But to be frank, when it reached its conclusion, I thought "come one, seriously?" In short, it started strong but didn't fulfil its promise.

Review: The Ladies Road Guide to Utter Ruin by Alison Goodman


The Ladies Road Guide to Utter Ruin by Alison Goodman


This is the second in Goodman’s “Ill-Mannered Ladies” series, which follows my new favourite twin sisters Lady Augusta (Gus) and Lady Julia Colebrook. I enjoyed the first in the series so much that I pre-ordered this and read it as soon as it was released. The Colebrook twins are fabulous - unmarried, unapologetic, unrelentingly curious and courageous as anyone could hope to be. In this book, the sisters find themselves helping fugitive Lord Evan and his sister, by saving the sister from the clutches of their eldest brother and trying to clear Lord Evan's name of the murder he has been convicted of.  


I actually think I preferred this second instalment to the first. It is so entertaining - Sherlock Holmes meets righteous feminist indignation. I think what improved this story for me was that rather than focusing on several mysteries, it followed the one throughout. What really makes this such an entertaining book is the relationship between Gus and Julia. They are so different, and yet so loyal to one another. They can read each other's minds and yet at times are so exasperating to one another.  I loved them in the first book (The Benevolent Society of Ill-Mannered Ladies), and I loved them even more here. They feel like the kind of women you might want to write old-fashioned letters to and would find highly intelligent and entertaining correspondents. 


And the romance, sigh. Gus continues her slow-burning romance with Lord Evan, who remains on the run from the law. Julia starts her own romance with a bow-street runner, a more subtle romance than that of Gud and Lord Evan, but obviously still deeply felt. What is great about this series is that despite Gus and Julia having romantic interests in the story, they remain committed to what I would call social injustice and the restrictions that society places upon them due to their age and gender.  


I highly recommend this series, written by an Australian author. Start with the The Benevolent Society of Ill-Mannered Ladies and know that it will get even better in The Ladies Road Guide to Utter Ruin


Review & Author Talk: Hannah Kent on her memoir Always Home, Always Homesick (Sydney Writers' Festival event)



Hannah Kent, where do I begin. After I had my children, I suddenly found it very hard to read and write. Over time, I gave up my blogging (Page Turners) and stopped reading. When I did read, I usually re-read. It was Hannah Kent's Burial Rites that was the first fresh book that I had read for a long time that grabbed and retained my interest. I became lost in it, and I have loved Hannah's Kent's writing every since. 


I was so excited when I saw that Hannah Kent would be speaking at the Sydney Writers Festival, and at a lovely local bowling club that I was very familiar with. I reached out to my girlfriends, and we all agreed that we would have a mid-week night out together to listen to Kent speak about her new memoir Always Home, Always Homesick. 


I feel very fortunate to have been able to see Kent speak about this work which is no doubt special to her. She spoke so articulately and lyrically about her experience of Iceland and of writing. I could hear her written voice coming through and she had the audience engaged with her unique experience of living in Iceland and later writing about a well-known Icelandic story of the final execution in the country. 


The review

Always Home, Always Homesick is a memoir written with the lyrical quality Kent is known for. The memoir delves into her experience as a teenage exchange student to the beautiful Iceland, which has become her home away from home. It has a non-linear structure, moving between her experience as a teenager living with host families, as a creative writing student researching for Burial Rites, and her experience as a new mother reflecting on her experiences in the past and how they have shaped her. The structure means that the memoir is fragmented, but it is very cohesive and, in a way, deeply intimate. 


As the title suggests, the main theme of the memoir is the paradox of feeling at home and homesick at the same time. While in Iceland as a teenager, Kent feels homesick for her family and friends, but eventually comes to feel a sense of belonging. Eventually, she becomes deeply connected to Iceland and feels homesick for it - especially as she struggles through those early weeks and months with a newborn. It evokes in her a sense of longing. What was interesting in the Sydney Writers Festival author talk was that she spoke about discovering that home for her also meant writing. She felt at home in writing, and could feel at home wherever she was, so long as she was writing. I that sense Always Home, Always Homesick shows home as a physical location, but also as an emotional state. 


Much of the memoir provided insight into Kent’s creative writing practice and how it's changed over time. I loved reading about how she would write stories under a special tree at her family home and kept journals as she grew up and as she travelled. During the author talk she spoke about how she felt at home in her writing writing, but I had sense during the memoir that writing was also how she processed her experiences and feelings.  


Always Home, Always Homesick also contains Kent's reflections on motherhood. It begins with Kent awakening from a deep dream, but finding herself still in almost a dreamlike state as she wakes to feed her newborn. She reflects on how motherhood changed her body, her mind and her sense of time - all things that I thoroughly identify with. She explores the tension between her need for solitude and creative space but also her new role as a primary caregiver for young children. It was funny at the author talk to hear her reflect on her writing process pre and post children. Before children Kent had a strict writing routine that she believed was essential to the writing process. Having children taught her that she still tap into her creativity, despite having background noise and mess and interruptions - something all parents need to get used to. 


The memoir contains such evocative descriptions of Iceland, I have become determined to visit one day to see the beauty for myself. In her descriptions of Iceland and Australia, Kent describes the natural world so beautifully and clearly that one can't help but feel she must have a deep connection to the natural world.


In short, Always Home, Always Homesick is a beautiful memoir that combines personal experiences, intimate insights and evocative descriptions of Iceland. If you haven't read anything by Hannah Kent before, I suggest that you start with her debut novel Burial Rites, which is directly linked to this special memoir. For fans of Kent's fiction, you will love this foray into non-fiction. The Good People is the only one of Kent's novels that I have not yet read, and at the author talk I was able to purchase a copy and have Kent sign it. It is definitely a book that I will treasure. 

  

Six Degree (June) 2025 Women’s Prize for Fiction, All Fours by Miranda July.

The meme is hosted by Books are My Favourite Best and is described thus: On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book. Each person’s chain will look completely different. It doesn’t matter what the connection is or where it takes you – just take us on the journey with you.


This month starts with All Fours by Miranda July, which has been shortlisted for the Women's Prize for Fiction 2025. It is described as: 

"A semifamous artist announces her plan to drive cross-country, from LA to New York. Twenty minutes after leaving her husband and child at home, she spontaneously exits the freeway, beds down in a nondescript motel, and immerses herself in a temporary reinvention that turns out to be the start of an entirely different journey."

 

I hadn't heard of this until this month's Six Degrees of Separation. However, the envisaged long cross-country drive in All Fours made me immediately think about The Bean Trees by Barbara Kingsolver, which I read last year. It's Kingsolver's first novel and is the story of a young woman named Taylor who takes a cross-country drive that leads to an unexpected turn in her life.



Keeping to the theme of cross-country drives, I can't go past The Passage by Justin Cronin, a post-apocalyptic novel set around a zombie-apocalypse (of sorts). The early stages of The Passage depict a road trip taken by FBI Agent Brad Wolgast, as he seeks to rescue and protect a small girl, Amy, from the federal government. I won't spoil it too much, but I honestly love this book and it's still one of my favourites. Sadly, the sequels didn't measure up, which is often the case.



The Road by Cormac McCarthy. It's another post-apocalyptic novel about a father and his son journeying across America after an event has wiped out most of humankind. I read this quite some time ago and remember it being very bleak and dark. There's something about post-apocalyptic novels that create such a great setting for a long journey across country.



The Day of the Triffids by John Wyndham, another of my favourites and another post-apocalyptic novel with a road trip—this time by the narrator Bill Masen and a woman he rescues from captors, Susan. Together they travel across England looking for other survivors to band together with and fight for survival.



Finally, you just can't go past The Hobbit by J.R.R. Tolkien when it comes to talking about long cross-country trips. I mean – Bilbo crosses Middle Earth on his own path and journey. An epic tale of courage, friendship, and the battle between good and evil.





And of course, The Lord of the Rings by J.R.R. Tolkien, where Frodo embarks on a perilous cross-country journey across Middle Earth to destroy the One Ring. Another legendary epic full of adventure and high stakes. Chef’s kiss.


I look forward to reading what everyone else had come up with for this month. Feel free to review my posts about the Sydney Writers Festival which I attended recently. At Big Beginnings I saw Kaliane Bradley (The Ministry of Time), Ferdia Lennon (Glorious Exploits) and Dominic Amerena (I Want Everything) speak about their journey to publishing their debut novels. At Untrue Crime I saw Ian Rankin, Kate McClymont and Shankari Chandran (Unfinished Business) speak about the important of truth and authenticity in crime writing. 

Sydney Writers' Festival: Big Beginnings - Ferdia Lennon, Kaliane Bradley & Dominic Amerena

Last week I was lucky enough to attend the Sydney Writers' Festival. 


The good news is that I was able to attend three events in person: a talk by Hannah Kent about her new memoir Always Home, Always Homesick (which I will write about in a separate post with a review of the books), Untrue Crime and Big Beginnings. 



Big Beginnings

In this panel discussion, three debut novelists discuss their emergence as writers and the journey to publication.

 

I was really looking forward to this one. Big Beginnings was a panel discussion between Ferdia Lennon (Irish, Glorious Exploits), Kaliane Bradley (British, The Ministry of Time) and Dominic Amerena (Australian, I Want Everything). The panel facilitated by Australian author Madeleine Gray, whose debt book Green Dot I loved and reviewed very recently.

 

Although I had hoped to try to read the books before the session, the only book I had read was The Ministry of Time by Kaliane Bradley (my thoughts here).

 

This session focused on their journey to publication. Gray led them chronologically through their writing process, seeking an agent and achieving publication. All three authors reflected on being taken by surprise at the speed of their success once their agents had found a publisher and not quite believing that they had found themselves so successful so quickly.

 

Interestingly, Bradley spoke about seeking an agent and publisher on an anonymous basis. Her fear was that because she worked in the publishing industry she would be picked up because of her connections, something that she wanted to avoid. Of the three authors, she spoke the most about the gruelling editing process, which for her took 12 months. I thought this was interesting because something I felt as I read her book was that it was trying to be too many things at once and could perhaps of needed a little more editing.

 

Lennon clearly had a long-standing fascination with Syracuse that he has been able to tap into when writing his novel, and Amerena spoke on his novel arising from what was a subplot in a different novel he had been writing. It was an interesting reflection for me on the creative process – that a story can arise from within a story. A common thread in the discussion of Lennon and Amerena was the strength of voice in their characters which helps the characters really come to life for the reader.

 

In short, this session was a fascinating insight into the world of first-time publication. It tried to demystify the process and experience of debut novelists, while celebrating the creative sparks that lead to powerful storytelling. Each author brought a different path and perspective, but what united them was a shared sense of surprise at their success and a deep commitment to their craft. It was especially interesting to hear about the behind-the-scenes work (for example, editing, self-doubt, persistence) that creates the polished books we read. 



WWW Wednesday: 4 June 2025

 WWW Wednesday is a meme that is hosted by Taking on a World of Words. It's a very simple premise of sharing with others The Three Ws:


What are you currently reading? 
What did you recently finish reading? 
What do you think you’ll read next?


Just finished




I'm starting with just finished because I have just finished two books. A few days ago, I finished Bliss by Peter Carey which was absolutely bonkers and quite frankly I am proud of myself for finishing it. Last night I finished reading The Scholar by Dervla Tiernan. It's the second book in the Cormac Reilly series. I felt very ambivalent about the first book but I am on holidays and wanted an easy read. I am glad I persevered because The Scholar was far better than the first book and I am now looking forward to the next. 


What's next?


Last night I finished my book - this morning I woke up with the freedom of choice. I am on my way home from a few days away, so I have time up my sleeve to choose. I think that it will either be The Good People by Hannah Kent or The Weekend by Charlotte Wood, but only time will tell. 

Literary Wives: The Constant Wife by W. Somerset Maugham

Literary Wives is an on-line book group that examines the meaning and role of wife in different books. Every other month, we post and discuss a book with this question in mind: 

What does this book say about wives or about the experience of being a wife? 

Don’t forget to check out the other members of Literary Wives to see what they have to say about the book!

Other participants:

This is my very first foray into the Literary Wives Book Club and I feel very lucky to be able to participate. It's been such a long time since I had the opportunity to talk books with others. This is definitely one of the great things about the internet. 


The Constant Wife by W Somerset Maughan



Maughan's The Constant Wife is the first play that I have read for some time. Written in the 1920s, it was considered very subversive in its depiction of marriage and gender roles. The play centres on Constance Middleton. Constance appears to be a lucky wife who lives a charmed life married to a successful doctor. What the audience soon learns is that her husband is having an affair with her best friend. When the news is eventually broken to Constance, she admits to knowing it all along. She doesn't feign heartbreak and instead, once the news is out in the open, Constance decides that the time has come to reclaim her independence by pursuing a career and her right to romantic and sexual autonomy. 


What does The Constant Wife say about wives or about the experience of being a wife? 


What sticks with me the most from reading The Constant Wife is the double standards in the standard by which men and women were held. Constance's husband, John, is excused for his infidelity. His infidelity is put down to an inherent weakness of males, who simply can't help themselves (poor things) and it's therefore considered excusable, particularly seen in Constance's mother's attitude toward his affair. This attitude absolves him of responsibility because he is simply a man who is a slave to his impulses. As a woman born into today, I almost don't blame them for taking this attitude. In truth, to me as a woman born into today, it feels like necessary mental gymnastics that women needed to enter into to cope with their lack of power within marriage and broader society. 


The double standards were even clearer considering how Constance was expected to react in response to discovering her husband's affair. Again, Constance's mother provides the perfect example of this. She expects Constance to maintain appearances to others and to preserve her relationship despite her husband's disrespect and betrayal. 


This is the experience of being a wife in the 1920s (and no doubt at other times) - men's affairs are tolerated - women must be forgiving, whether they feel that way or not. Most people, whether wilfully or otherwise, didn't see this as a double standard, but Maugham through Constance, calls society out. 


Double standards were then on show when John discovers that Constance may be about to embark upon an affair. Given his infidelity and her economic independence, Constance doesn't feel the need to hide this from him. His reaction, however, is to respond to her announcement with anger and control. He talks of 'not letting her' do such a thing and declares that she is doing him the greatest of injury. Although Constance reminds him that he conducted an affair with her best friend, he brushes it aside as not the same thing and demands to know whether this is instead her payback. 


This relates to something that I found a little striking in how their relationship is portrayed and that's in the way that Constance and John both in a way are faking their relationship in some way. How they came to be together is touched on in such a light way. It's almost presented as if Constance had numerous romantic options as a young lady, and John was the one the gentleman who seemed best. So, she chose him, and called it love, and carried on with her life until the events of the play unfold. John, while having an affair, pretends to be the perfect doting husband. Constance pretends to be the perfect wife, going so far as to hide her knowledge of the affair for some time. Constance's experience of being a wife exists almost on the surface, and when that surface becomes disturbed, she is forced to deal with something more important and integral - her experience of being herself and what it means to value herself as an independent person. John 


How does she do this? Shock - horror. She seeks employment by becoming an interior designer. That's right, she seeks not just emotional independence from her husband but financial independence as well. For a very long the experience of being a wife meant being financially dependent upon her husband. We know that many women find themselves still unable to escape dangerous relationships for this very reason. Constance claims her financial dependence and to demonstrate her freedom, Constance transfers money into John's bank account for her board and lodging. John clearly feels emasculated but Constance stands her ground, insisting on paying for her room and board so that "I could tell you, with calm and courtesy, but with determination, to go to hell."


Nonetheless, although Constance claims her economic independence which would have been very progressive for the time, it is still within the bounds of the gendered society within which they lived. Constance feels the need to pay board and lodging to her husband, despite it being their family home. Her contribution as mother and home maker is not sufficiently recognised to suggest that she may have some ownership of their shared home. John still spoke of allowing Constance to work - "Anyhow, you wanted to work and I yielded". When Constance talks about potentially commencing an affair of her how, John speaks of 'not allowing her'. I suspect the reality is that given his position as a male in 1920s society, he most likely could have prevented her if he so chose.


In the end, The Constant Wife reveals that being a wife (at least in the world of the 1920s) meant living within carefully scripted gender roles that almost meant sacrificing your own self to preserve appearance. Through Constance, Maugham exposes the unspoken truth of marriage and the double standards that can exist in marriages as a result of gender toles. Constance shows the strength it takes to speak those truths and step outside the bounds of what society allows for her gender. I think what I am trying to say is that being a wife is a role in marriage, but it is also a role within society. Constance’s ultimate choice is to value herself beyond that role and to be true to to herself.


May 2025: What I read

I enjoyed the month of May - reading wise. I didn't push myself too hard. I mostly stuck with books that I either knew I would love, or I knew wouldn't tax my little grey cells. I had a rough month workwise, and so I wanted ease of reading and a great story. 



Always Home, Always Homesick by Hannah Kent and The Ladies Guide to Utter Ruin by Alison Goodman were absolutely my favourite books of the month. Both of which I had pre-ordered and read as soon as they were released. I was lucky enough to see Hannah Kent speak at the Sydney Writer's Festival about her memoir Always Home, Always Homesick and was even able to have her sign a copy of The Good People, the last of her books that I have yet to read. And The Ladies Guide to Utter Ruin – what can I say, so much fun this series. I can't wait for the next one.



The Lost Man by Jane Harper and The Nowhere Child by Christian White are both Australian crime / mystery books. Jane Harper is such a reliable author. You can be sure that you will read an engaging mystery that will keep you page turning until the end, and The Lost Man was no exception.

The Nowhere Child is Christian White's debut novel and is the story of a woman who discovers that she was kidnapped as a child from a small US town and taken to Tasmania to live a new life with new parents. This is the story of her discovery and exploration of what her true story is. I had read quite a few good reviews of this book. For me, I would say it was OK. I mean, I read it. It was harmless. But it didn’t really do it for me.



The Constant Wife by W Somerset Maugham - I read this for the new Literary Wives book club that I have joined. It's been that long since I read a play - it was actually a really enjoyable new experience. Review pending as part of the book club. 



Harry Potter and the Half Blood Prince by JK Rowling - this was my insomnia read for the month of May. A reliable read I know I love and can just as easily pick it up and put it down in the middle of the night as I fight my demons and search for sleep. 

Sydney Writers' Festival: Untrue Crime - Shankari Chandran, Ian Rankin & Kate McClymont

Last week I was lucky enough to attend the Sydney Writers' Festival. 


Not to bore anyone too much with my backstory, but...... I used to attend the Sydney Writers' Festival religiously. I would spend all day on the Saturday and Sunday going from event to event and attend some extra events throughout the week. With the arrival of my children, it just became harder and harder to find the time between birthday parties and kid's activities and eventually I let it go. 


This is the first year I have really made an effort, and it was really worth the wait. The Festival itself has changed a fair bit. The venue has changed, but more so it had gone from a mostly free event to a mostly paid event. I don't necessarily blame the Festival. With rising costs, I am sure that this was a necessary evil, even if it may mean that it becomes less accessible for a wider audience. There were live streaming tickets that could be purchased - and I purchased these for the Saturday and Sunday and was able to watch a wide range of sessions across the weekend. 


The good news is that I was able to attend three events in person: a talk by Hannah Kent about her new memoir Always Home, Always Homesick (which I will write about in a separate post with a review of the books), Untrue Crime and Big Beginnings. 



Untrue Crime: Kate McClymont, Shankari Chandran & Ian Rankin

Novelist Shankari Chandran, investigative journalist Kate McClymont and Diamond Dagger Award winner Ian Rankin discuss the line between fact and fiction in the stories they tell about crime. 

This session was hosted by Australian author Michael Robotham and explored the authors' experience of truth in their crime writing. It added variety to have Kate McClymont on the panel to provide the perspective of someone writing from a non-fiction / journalist perspective where the crimes that she writes about are true. Kate spoke so articulately and with great humour about the challenges of writing true crime: doing the research, collecting the sources, testing the sources, balancing detail with a desire to engage the reader and, as a lawyer, my favourite part - avoiding defamation proceedings. 


Chandran and Rankin spoke about the importance of using facts and accuracy, as far as possible, to ground their fiction in reality and create a more authentic experience for the reader. I loved hearing Ian Rankin talk about his approach of writing his first draft as the starting point - and researching second. He spoke about setting one of his crimes on a particular street in Edinburgh and then finding during his research that the street had been dig up to put tram lines down. Rather than move the crime, he wrote the road works into the story, making his detectives have to tackle with where they would park their cars and the mortuary van as they investigated the crime. 


In truth, I hadn't enjoyed Unfinished Business by Chandran as much as I would have liked to (my review here). It helped to hear Chandran speak. I identified with her in some ways. We are similarly aged, both lawyers, both mothers doing the balancing act. 


She spoke about the ethics of gathering information to use in her writing – ethics in crime writing was a theme throughout the session. Chandran’s book deals with the oppression and war against the Tamil population of Sri Lanka. She spoke about understanding the trauma of those individuals who experienced the war and therefore not approaching individuals for their stories and instead focusing on what is publicly available or formal government sources. However, she did say in some circumstances individuals approach her, hoping she can tell their story in a way that they can’t do in Sri Lanka. In those cases, she does listen to their story, and it might form part of her writing.

 

McClymont is bound by journalistic ethics, and Rankin spoke about basing his writing on true stories that were already in the public sphere. He did share a story of a woman turning up a speaking event and realising that she was one of the women involved in the case that he had based his book on. It would have been interesting to hear some more reflections from Ranking about the ethics of crime writing in that respect. If it’s a true case, happening to real people out their in community – does the fact that is has been reported on in the media mean that its fair game to use in fiction writing? I think Rankin would obviously say yes.


Overall, this was a thoughtful and engaging session that highlighted the blurred boundaries between fact and fiction in crime writing. Each panellist brought a unique perspective to the ethical and practical challenges of writing about crime, whether imagined or real. As a lawyer and a reader, I was particularly struck by the depth of reflection around ethics and how writers reckon with the consequences of telling stories drawn from real lives, and the responsibility they bear in doing so.

 


WWW Wednesday: 28 May 2025

 WWW Wednesday is a meme that is hosted by Taking on a World of Words. It's a very simple premise of sharing with others The Three Ws:


What are you currently reading? 
What did you recently finish reading? 
What do you think you’ll read next?


Currently reading




I love these books. To be honest recently with some unpleasant happenings at work, I had been finding it quite hard to get into reading anything (other than Harry Potter). So, yesterday I went back to something tried and test - the Tea Ladies series. I recently read the first book and loved it. A cosy detective mystery is a great way to lose yourself in a story that isn't too taxing on the mind. And it's been a great choice - I just love these tea ladies. 


Recently finished


 

I had read a few good reviews of this and found it at a book fair that I went to recently, so it seemed like it was meant to be. I love the read the debut novel of an Australian author and I'm glad that I read it - but it wasn't quite as satisfying as I would have liked. The ending arrived too suddenly and finished too soon and, in the end, the resolution to the mystery just seemed a little.... far-fetched. 



Up Next

Who know?? But I think perhaps: 



I saw Hannah Kent speak at the Sydney Writer's Festival recently and I think that she is just fantastic. This is the last of her books that I haven't read, and I was lucky enough to have her sign it. 









Review(s): Underground Railroad by Colson Whitehead and James by Percival Everett


Although I know it is unusual to review two books at once, I read these one after the other and found many common themes between them. I reflected on the narratives and the themes together and so it felt more natural for me to review them together. 

Underground Railroad is a Pulitzer Prize–winning novel which reimagines the historical Underground Railroad as a literal underground train system used by enslaved people to escape bondage in the American South. It follows the plight of Cora, a young woman fleeing a Georgia plantation, as she travels from state to state, encountering different, often horrifying manifestations of racism and oppression. It's essentially a blend of historical fiction and speculative fiction - or historical fiction with speculative elements. It certainly feels far more historical than anything in the way that it describes the brutality of the lives of enslavement that so many people were subjected to.  


James is a reimagining of The Adventures of Huckleberry Finn, but this time told from the perspective of Jim, the enslaved man who accompanies Huckleberry on his journey. Similarly to Underground RailroadJames is a piece of historical fiction with speculative element. Everett imagines that enslaved people only speak in the stereotyped dialect when white people are listening. As the story unfolds, it is revealed that this use of language by the enslaved is a strategic performance rather than a reflection of their reality. What I took from this is that Everett was trying to reclaim the voice of the enslaved by challenging the historical depiction of enslaved people as ignorant or unintelligent. It acknowledges that white cultures (whether in the past or present) often see and hear what they expect to see and hear.


These novels have so much in common. From a literary perspective, they are both about centreing the perspective and experiences of black characters who were enslaved and voiceless, and showing them as complex and autonomous people. Of course, they both touch on violence and systemic oppression by white culture, something that continues into the present day in its evolving forms. They both deal with how their characters fight their dehumanisation through whatever acts of resistance that are available to them. 


In the end though, I think what was most emotional for me was how each book explores freedom as an illusion for those escaping slavery. Both Jim and Cora go on their own unique journeys to freedom, but in the end, this doesn't result in their liberation. They are still encumbered by loss, racism and violence even as they reach 'freedom'. It's sad and emotional, but what I believe is an authentic representation of 'freedom' would really have meant.


Review: Death of a Foreign Gentleman by Steven Carroll

 



Death of a Foreign Gentleman by Steven Carroll 


Kobo reviewed my reading habits and suggested this to me as a book that I might enjoy. Seeing that it was by an Australia author, was literary crime fiction in an historical setting, I agreed that it looked right up my alley, so I purchased it on a whim (well done Kobo). 


The story is set in post WWII England (1947 specifically). The story begins with the death of Martin Friedrich, a renowned German philosopher and former Nazi Party member, who is hit killed by a speeding car while cycling to deliver a lecture at Cambridge University. Detective Sergeant Stephen Minter, an Austrian-born Cockney Jew whose parents were interned during the war, is assigned to investigate the case. 


Minter starts investigating, looking into Friedrich's life and uncovering unsavoury truths about the man - his past as a Nazi supporter, his arrogance and selfishness, and his dishonourable treatment of the women that he tricks into his life until they have served their purpose for him. The story oscillates between the different characters, slowly drawing together the threads of their individual narratives to reach the culmination where the truth behind Freidrich's accident is exposed.  


One of the most striking aspects of the book for me was how meaning emerged from a series of coincidences and randomness, and not from a carefully constructed plan or motives. Usually, crime fiction reveals an intentional plot toward some criminal end. Carroll gives us a piece of crime fiction involving chance events. I think was deliberate - to show that cause and effect isn't always a straight line. This is relevant to the post-war world the story is set in, where the characters are left a little bereft with the world and the ways of life that they once believed they knew having been destroyed. 


Maybe what I am trying to say is that Carroll seems less interested in who killed Friedrich, and more in what the aftermath of his death exposes in the lives of the people around him. For example, their grief following his death, their grief following the way, their dislocation from their homes (for some) and family (for others). Perhaps he is using Friedrich's death and its aftermath almost as a metaphor for the war and its aftermath. 


It is definitely a very thoughtful novel, and I recommend it - even if I couldn't honestly say that I loved it. 

Review: Unfinished Business by Shankari Chandran


Unfinished Business by Shankari Chandran 


Shankari Chandran first came to my knowledge when she won the 2023 Mile Franklin Literary Award with her novel Chai Time at Cinnamon Gardens. While that novel remains on my wish list, I picked up Unfinished Business because I will be seeing her speak about this book at the SWF (with Ian Rankin). 


The book itself is a political thriller set against the backdrop of Sri Lanka's civil war. The novel opens in 2009 with the assassination of Ameena Fernando, a prominent journalist known for her fearless reporting. In response, the CIA dispatches agent Ellie Harper to investigate, but with instructions only to do the bare minimum of an investigation so that the US can look as though it is contributing - without actually contributing in any meaningful way. 


The narrative moves back and forth between 2005 and 2009. In 2005, Ellie was part of a failed mission to Sri Lanka that haunts her, along with her failed relationship with Sathyan - who it turns out was Ameena fiancé at the time of her assassination. This was a bit of a convenient coincidence for my liking, and I think put me off a little from the story from the very beginning. 

Driven in part by her desire to make up the past, Ellie dives into the investigation in earnest and uncovers a web of espionage and foreign intervention in other nations. Chandran is making a point of drawing attention a wide range of social, political and human rights issues. The persecution of the Tamil population. Political corruption. Perhaps most importantly the ongoing neo-colonial benevolence where foreign intervention is dressed up as benevolent assistance of the 'we know better' variety but ultimately serves the interests of the intervening country. 


While I wanted to really enjoy this novel and I don't want to understate how important the themes of the novel undoubtedly are, they often took precedence over character development and plot, making the story feel more like a vehicle for commentary than the immersive narrative experience I prefer. 


Review: Green Dot by Madeleine Gray


Green Dot by Madeleine Gray


It was almost by chance I came to this. A colleague mentioned that she was reading it, and within a week I found it on sale and thought "why not"? It wasn't until a few weeks later that I realised I was going to see Madeleine Gray at the SWF and so it jumped up the priority list. 


I actually enjoyed this book far more than I expected it. I think we can call it contemporary romance, and I won't lie, one of the things that I was particularly drawn to is that it is set in my city and events occur near where I work. I could really visualise the characters in the actual places that are within my own experience. When Gray describes the workers entering their place of work - how they look, how it feels to be one of them - it connected with my own personal experience. Even just the way Gray describes how the office works - the siloing of colleague groups, the awkward interactions, the importance of finding some you can connect with and send those snarky messages to when required. Gray nailed it. 


The novel follows Hera, a 24-year-old Australian navigating the disillusionment of post-university life. She has finished her degrees, still lives with her father and despite feeling completely disconnected from herself and those around her, she concludes its time for her to do something to move her life forward. She begins working as an online comment moderator and finds herself drawn into an intense affair with Arthur, her older, married colleague. Despite identifying as a lesbian, Hera becomes infatuated with Arthur, finding in him a source of excitement and escape from her mundane routine. Their relationship, largely sustained through digital communication (hence the green dot connection - that good old green dot on Teams) begins to consume Hera's life.


Hera's voice was one of the key strengths of the novel for me. Her voice is bold and unique - she isn't afraid to engage with her own inner thoughts and self. She recognises that her actions aren't acceptable, that they do damage to her, to Arthur, to his family and to those that love and support her. But despite knowing it's wrong she isn't afraid to pursue her desires knowingly. She is chronically anxious about what people think about her but handles this by making every attempt to seem overly confident and extroverted. I think this is a fairly authentic depiction of how some people deal with their own anxiety. 


It also added a welcome element that the story was told from the perspective of Hera looking back on her affair with Arthur - we know where it all ends, but it doesn't impact the journey. I would say that even though Hera was the leading lady, as someone much closer in age and experience to the 'older man' I couldn't help but reflect on the experience of him and his family, something that isn't really touched on in the book. The duplicity that can sneak into marriage. The desire to be the centre of someone else's world and what people will do when that feeling fades in their own relationship. The heartbreak and betrayal his wife must have felt. This definitely wasn't the point of the story - just where perhaps my own age led my thoughts and reflections.  


In short - this was a compulsive read, and I highly recommend it. 

WWW Wednesday: 7 May 2025

WWW Wednesday is a meme that is hosted by Taking on a World of Words. It's a very simple premise of sharing with others The Three Ws:


What are you currently reading? 
What did you recently finish reading? 
What do you think you’ll read next?


Currently reading



Jane Harper is always a reliable read - so far, I have really enjoyed everything of hers that I have read, particularly The Dry. I picked this one up at the Lifeline Book Fair, and not being sure what I wanted to read next I knew that this would be a solid choice. 


Recently finished


Always Home, Always Homesick by Hannah Kent. Love love loved. 





Ladies Road Guide to Utter Ruin by Alison Goodman. Love love loved - actually think it was better than the first. 


Up Next


The Constant Wife by W Somerset Maugham. Its been awhile since I read a play, looking forward to this. 


April 2025: What I read

April was another big month for me reading wise. I didn't expect to get through so much with so many other things going on my life, but I am pleased to see that I was still able to find a good amount of time for myself to relax and escape into another world for a while. I was also pleased to see that three of the six books were by Australian authors. 


I read a quote the other day by Jeanette Winterson that I absolutely connected with:


"Books and doors are the same thing. You open them, and you go through into another world".


That's what reading allows me to do - spend some time immersed somewhere else, with other people, and live their lives for a time.  


Sydney Writers' Festival choices

With the Sydney Writers' Festival coming up, I have been pretty keen to read as many of the books that I can by the authors that I will be going to see. In April, I read two:

  • Green Dot by Madeleine Gray
  • Unfinished Business by Shankari Chandran


Green Dot by Madeleine Gray


It was almost by chance I came to this. A colleague mentioned that she was reading it, and within a week I found it on sale and thought "why not"? It wasn't until a few weeks later that I realised I was going to see Madeleine Gray at the SWF and so it jumped up the priority list. 


The novel follows Hera, a 24-year-old Australian navigating the disillusionment of post-university life. She has finished her degrees, still lives with her father and despite feeling completely disconnected from herself and those around her, she concludes its time for her to do something to move her life forward. She begins working as an online comment moderator and finds herself drawn into an intense affair with Arthur, her older, married colleague. Despite identifying as a lesbian, Hera becomes infatuated with Arthur, finding in him a source of excitement and escape from her mundane routine. Their relationship, largely sustained through digital communication (hence the green dot connection - that good old green dot on Teams) begins to consume Hera's life.


In short - this was a compulsive read, and I highly recommend it. A longer review is scheduled for 10 May 2025. 



Unfinished Business by Shankari Chandran 


Shankari Chandran first came to my knowledge when she won the 2023 Miles Franklin Literary Award with her novel Chai Time at Cinnamon Gardens. While that novel remains on my wish list, I picked up Unfinished Business because I will be seeing her speak about this book at the SWF (with Ian Rankin). 


The book itself is a political thriller set against the backdrop of Sri Lanka's civil war. The novel opens in 2009 with the assassination of Ameena Fernando, a prominent journalist known for her fearless reporting. In response, the CIA dispatches agent Ellie Harper to investigate, but with instructions only to do the bare minimum of an investigation so that the US can look as though it is contributing - without actually contributing in any meaningful way. The narrative moves back and forth between 2005 and 2009. In 2005, Ellie was part of a failed mission to Sri Lanka that haunts her, along with her failed relationship with Sathyan - who it turns out was Ameena fiancé at the time of her assassination. 


I am pleased to have read this before the SWF event, but there were some aspects of the novel that meant it wasn't something that I would recommend, even if I wouldn't go so far as to say that I recommend you give it a miss. A review is scheduled for 12 May 2025. 



American Slavery

I'm not quite sure how American slavery became a theme in April 2025, but it definitely was. I read two books dealing with the tragedy of slavery and the indelible mark it left on its victims: Underground Railroad by Colson Whitehead and James by Percival Everett. 




Underground Railroad is a Pulitzer Prize–winning novel which reimagines the historical Underground Railroad as a literal underground train system used by enslaved people to escape bondage in the American South. It follows the plight of Cora, a young woman fleeing a Georgia plantation, as she travels from state to state, encountering different, often horrifying manifestations of racism and oppression. It's essentially a blend of historical fiction and speculative fiction - or historical fiction with speculative elements. It certainly feels far more historical than anything in the way that it describes the brutality of the lives of enslavement that so many people were subjected to.  


James is a reimagining of The Adventures of Huckleberry Finn, but this time told from the perspective of Jim, the enslaved man who accompanies Huckleberry on his journey. Similarly to Underground Railroad, James is a piece of historical fiction with speculative element. Everett imagines that enslaved people only speak in the stereotyped dialect when white people are listening. As the story unfolds, it is revealed that this use of language by the enslaved is a strategic performance rather than a reflection of their reality. What I took from this is that Everett was trying to reclaim the voice of the enslaved by challenging the historical depiction of enslaved people as ignorant or unintelligent. It acknowledges that white cultures (whether in the past or present) often see and hear what they expect to see and hear. A longer review of these books is scheduled for 27 May 2025. 


Others that caught my fancy



Death of a Foreign Gentleman by Steven Carroll 


Kobo reviewed my reading habits and suggested this to me as a book that I might enjoy. Seeing that it was by an Australia author, was literary crime fiction in an historical setting, I agreed that it looked right up my alley, so I purchased it on a whim (well done Kobo). 


The story is set in post WWII England (1947 specifically). The story begins with the death of Martin Friedrich, a renowned German philosopher and former Nazi Party member, who is hit killed by a speeding car while cycling to deliver a lecture at Cambridge University. Detective Sergeant Stephen Minter, an Austrian-born Cockney Jew whose parents were interned during the war, is assigned to investigate the case. 


Minter starts investigating, looking into Friedrich's life and uncovering unsavoury truths about the man - his past as a Nazi supporter, his arrogance and selfishness, and his dishonourable treatment of the women that he tricks into his life until they have served their purpose for him. The story oscillates between the different characters, slowly drawing together the threads of their individual narratives to reach the culmination where the truth behind Freidrich's accident is exposed.  


It is definitely a very thoughtful novel and I recommend it - even if I couldn't honestly say that I loved it. A review is scheduled for 19 May 2025. 



The Sweeping Sword by Brenda Jagger


This was my 'insomnia read', something I have mentioned previously on this blog. This is the book that I read many times before that keeps me company through the long, lonely nights when insomnia has me in its grip. 


This is the third instalment of one my all-time favourite series and books of all times - The Barforth Trilogy, which I have previously reviewed. It is historical fiction, feminist but still a romance. If I had to talk about books that I think undeservedly go under the radar, these would be them.